For many years, breast correction operations have maintained a leading position in the lists of the most popular and sought-after plastic surgeries. For most patients who turn to plastic surgeons for this operation, the standard is the so-called Hollywood breast, which Hollywood stars can boast on the red carpet. This is exactly the kind of breast that one of the best surgeons in the United States, a plastic surgeon certified by the American College of Plastic Surgery, ISAPS Professor, MD Constantino Mendieta, creates. Read an exclusive interview about the secrets of a successful breast correction surgery from an outstanding surgeon on estet-portla.com right now.

Dr. Mendieta, you perform so many successful breast augmentations in Hollywood, how do you get such great results?

The skill of plastic surgery, if we consider it really at the highest level – it's already art. And, of course, each plastic surgeon has his own vision and his own level of successful breast correction surgery. But all this is years of training. For example, in order to achieve what I have now achieved and know how to do, I traveled around the world, watched how others work, and studied a lot.

What's new in recent years in the US in approaches to breast correction surgery?

I believe that the most important innovation in the history of plastic surgery – is the appearance of fat. Fat, at the moment, really comes to the fore, as the material with which you can work, and get completely new forms. Fat – it's liquid gold.

Fat – it is truly a magical tool that, in the hands of a plastic surgeon, can do amazing things.
That's why fat is the focus now.

What are the modern criteria for an ideal breast?

The main idea of ​​the lectures I give about breast correction operations is that there is no one perfect breast - each breast is beautiful in its own way. And every person, if the aesthetic proportions are observed in him, is already beautiful and ideal. Beauty can be completely different, and manifest in different forms. That is why we focus primarily on aesthetic proportions and dimensions.

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